Coaching as Creative Practice

Black-and-white portrait of a man with a beard, wearing a denim shirt, with arms crossed, looking directly at the camera.

My coaching practice is an extension of my research, pedagogy, and performance career. Rooted in voice liberation, embodiment, and Afrocentric methodologies, I work with actors, educators, creative leaders, and changemakers seeking to bring their full selves to voice and presence. Whether in rehearsal, the classroom, or public life, this work is designed to support sustainable, resonant, and courageous expression.

“Coaching is not separate from my academic and creative work—it is one of the spaces where my teaching philosophy, performance practice, and commitment to voice liberation converge. This work informs my scholarship, sustains my artistry, and builds community across disciplines and industries.”

Where Research and Practice Meet

Theater Coaching:

Voice, Accent & Dialect Coach

Most recently serving on a wide range of productions at The Shaw Festival, Canada’s second-largest regional theatre company. Coaching credits there include Sherlock Holmes and the Mystery of the Human Heart (dir. Craig Hall), Candida (dir. Severn Thompson), The House That Will Not Stand (dir. Philip Akin), The Orphan of Chao, The Great Revenge of the Zhao Orphan (dir. Courtney Ch’ng Lancaster), and Snow in Midsummer (dir. Nina Lee Aquino).

Corporate Coaching:

Voice & Leadership Coaching

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My Coaching Experience

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